Jonah Greenstein is a freelance filmmaker.
In 2019, he wrote a short scene for BREAKTIME's "Parting Glass" to be delivered in the dark, light provided only by flashlight. The scene was performed at the Jack Crystal Theater, Threes Brewing and Teatro LATEA.
With Praxis Films, he recently edited Triple Chaser, in collaboration with Forensic Architecture for the 2019 Whitney Biennial. The previous year, he was the technical supervisor on the multichannel video installation Signal Flow for Manifesta 12 Palermo. He worked as co-producer and additional editor on 2017’s Risk, and as motion graphics editor and post-production supervisor on 2016’s Astro Noise.
He frequently works in post-production with Art21, Visual Country, and Field of Vision, including the FoV-backed Crime + Punishment, which was shortlisted for the 2019 Academy Awards, and recently won an Emmy for Social Impact Documentary.
Earlier, he edited music videos, fashion, branded content, and independent narrative features, and assisted the edit of Richard Mosse’s The Enclave for the 2013 Venice Biennale.
His first feature film as writer/director, Daddy, premiered at NewFest in 2018, where it won a special mention from the U.S. Narrative Jury. More about his collaborations can be found here.